The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. Consistently recognized in critical reviews, the ensemble regularly collaborates with some of the nation’s most accomplished ensembles and creative composers. It is committed to working with creative teams to make and record new, substantial works for choir, most often addressing social issues.
Highly sought-after for collaborative projects, The Crossing’s first collaboration was as the resident choir of the Spoleto Festival, Italy, in 2007. Collaborations are now an important aspect of their work; The Crossing has appeared at Miller Theatre of Columbia University in the American premiere of James Dillon’s Nine Rivers with the International Contemporary Ensemble (ICE); joined Bang on a Can’s first Philadelphia Marathon; and has sung with the American Composers Orchestra, Network for New Music, Lyric Fest, Piffaro, Tempesta di Mare Baroque Chamber Orchestra, PRISM Saxophone Quartet, Toshimaru Nakamura, Beth Morrison Projects, Dolce Suono, Allora & Calzadilla, and The Rolling Stones. The ensemble has sung at Walt Disney Concert Hall, The Kennedy Center, Carnegie Hall, the Philadelphia Museum of Art, the Cleveland Art Museum, National Sawdust, the Isabella Stuart Gardner Museum in Boston, The Barnes Foundation, and the Metropolitan Museum of Art. They premiered John Luther Adams’ Sila: the breath of the world at Lincoln Center in a collaboration with the Mostly Mozart Festival, Lincoln Center Out of Doors Festival, eighth blackbird, Jack Quartet, and TILT brass and returned to Mostly Mozart with the International Contemporary Ensemble for Seven Responses in 2016. Upcoming collaborations include the National Gallery in Washington, the Institute for Advanced Study in Princeton, Northwestern University, Harvard University, and the Park Avenue Armory. The Crossing holds an annual residency at the Warren Miller Performing Arts Center in Big Sky, Montana.
The Crossing has presented over sixty commissioned world premieres. Major new works have include Michael Gordon’s Anonymous Man (2017), Lansing McLoskey’s Zealot Canticles (2017), John Luther Adams’ Canticles of the Holy Wind (2013, co-commissioned with Kamer), Gavin Bryars’ The Fifth Century (2014, written for The Crossing and PRISM), Kile Smith’s The Consolation of Apollo (2014) and Vespers (2008, a commission of Piffaro), Stratis Minakakis’ Crossings and Crossings’ Epitaphs (2015/2017), David Lang’s statement to the court (2010), Lewis Spratlan’s Hesperus is Phosphorus (2012, co-commissioned with Network for New Music), and Ted Hearne’s Sound From the Bench (2014, co-commissioned with Volti). In 2016, The Crossing presented Seven Responses – contemporary responses to Buxtehude's Membra Jesu Nostri – with new works from Caroline Shaw, David T. Little, Anna Thorvaldsdottir, Hans Thomalla, Pelle Gudmundsen-Holmgreen, Lewis Spratlan, and Santa Ratniece. In June 2019, The Crossing will present its largest project to date: Aniara, a collaboration with Kockriketeatern in Helsinki, and composer Robert Maggio. Future projects include composers Daniel Felsenfeld, Gregory Spears, James Primosch, Benjamin C.S. Boyle, Kile Smith, David T. Little, Sebastian Currier, Aaron Helgeson, and Michael Gilbertson.
With a commitment to recording their commissions, The Crossing has thirteen commercially-released recordings, with two more due to be released in early 2018. Their collaboration with PRISM, Gavin Bryars’ The Fifth Century (ECM, October 2016), was named one of The Chicago Tribune’s Top 10 Classical CDs of 2016 and their recording of Thomas Lloyd’s Bonhoeffer (Albany 2016) was nominated for the 2017 GRAMMY as Best Choral Performance. In February 2017 they released Clay Jug: music of Edie Hill (Navona), followed by Ted Hearne’s Sound from the Bench in March (Cantaloupe) and John Luther Adams’ Canticles of the Holy Wind in May (Cantaloupe). Previously released recordings include Lewis Spratlan’s Vespers Cantata: Hesperus is Phosphorus (Innova, 2015, with Network for New Music); Moonstrung Air (choral music of Gregory Brown, Navona, 2015); Christmas Daybreak (Innova, 2011, with world premiere recordings of James MacMillan and Gabriel Jackson); I want to live (Innova, 2011, with the complete to-date choral works for women by David Lang); and It is Time (Navona, 2008, featuring music commissioned for their first Month of Moderns). Their recordings have been reviewed in The New York Times, The New Yorker, Opera News, The Guardian, The Financial Times, The Philadelphia Inquirer, Gramophone, Fanfare, and many more journals.
Nominated for the 2017 Grammy Award for Best Choral Performance, The Crossing, with Donald Nally, is the American Composers Forums’ 2017 Champion of New Music. They are the recipient of the 2015 Margaret Hillis Award for Choral Excellence, three ASCAP Awards for Adventurous Programming, as well as the Dale Warland Singers Commission Award (with composer Joel Puckett) from Chorus America. Donald Nally was awarded the 2017 Michael Korn Award and the 2012 Louis Botto Award for Innovative Action and Entrepreneurial Zeal for his work with The Crossing. The Crossing has been named in The Philadelphia Inquirer’s Top Classical Events of the Season numerous times.
12/2017 – PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS. MODIFIED VERSIONS MUST BE APPROVED BY ALLIANCE ARTIST MANAGEMENT.